Sabtu, 27 Desember 2014

[G861.Ebook] Free Ebook More Die of Heartbreak, by Saul Bellow

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More Die of Heartbreak, by Saul Bellow

More Die of Heartbreak, by Saul Bellow



More Die of Heartbreak, by Saul Bellow

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More Die of Heartbreak, by Saul Bellow

  • Sales Rank: #5116756 in Books
  • Published on: 1987
  • Binding: Paperback

Most helpful customer reviews

5 of 5 people found the following review helpful.
Another Bellow Surprise: Turning the Tables Men vs Women
By Jack Ridley
Just when you think that you understand Bellow, this book comes along. By the way, do night buy this book, there is a newer version from Penguin in 2003 with a better introduction: ISBN 0142437743

I am a Bellow fan, read all of his novels, and wrote an Amazon guide: "A Guide to Reading Bellow." The present book is excellent. If I had to recommend just one, it would be "Herzog." but saying that, the present book is a surprise, like a breath of fresh air. Some of his novels have a warmth and charm, and have a certain tongue in cheek approach in describing the trials and tribulations of the narrator. The humour is mixed in with the meaning of our short lives, and the future of our souls. Bellow thought that the development of realism was the major event of modern literature. That includes how we view subjects such as sex, life and death, etc. Having said that, we see two changes here. One is that in most Bellow novels the men dominate the women, or they are equal. Yes, the women often divorce our hero in other works, but here the men are like putty in the hands of the women. Also, instead of one narrator, the present narrator, Kenneth, is so close to his uncle Benn that it seems like the story about two people not one.

In case you are new to Bellow, his novels reflect his life, his writings, and his five marriages during his five active decades of writing. He hit his peak as a writer around the time of "Augie March" in 1953 and continued through to the Pulitzer novel "Humbolt's Gift" in 1973. He wrote from the early 1940s through to 2000. His novels are written in a narrative form, and the main character is a Jewish male - usually a writer but not always - and he is living in either in New York or Chicago. Bellow wrote approximately 13 novels and a number of other works.

Bellow's style progressed over the five decades. The early novels "Dangling Man" and "The Victim" were written in the 1940s, 20 years before his peak. Some compare his style in "Dangling Man" with Dostoevsky's "Notes from the Underground." Having read both I would say that "Notes" is brilliant while "Dangling Man" is at best average and sometimes a bit slow, but the prose is excellent. Changes could be seen in his second book "The Victim" in 1947. The first half is slow, but then the pace intensifies in the second half. This increase in tempo and lightness carries on in his next book "The Adventures of Augie March" - his breakthrough book in 1953 that won a National Book Prize. He changes his style in "Henderson the Rain LKing" in 1959, and then returns to the New York-Chicago theme after "Henderson." Bellow hits a new high with "Herzog" in 1964, and that book sets the tone for a number of novels that follow. The present books follows later and came out in 1987.

In interviews, and from reading the early works, Bellow said that it was difficult to make the transition to becoming "uninhibited" in his writings. That transition ended in 1953 with "Augie March" and it was refined with "Herzog." After that, there is a certain sameness to the novels. We see a bit of a break in the present novel. There is a bit of laziness evident that he seems to use a number of quotations. But the plot is interesting, and he seems to take delight in exploring and reversing the role of man versus women. They women either ignore or try to manipulate the men, and at least one woman, Matilda, far out-classes our heroes (or as in Bellow novels, anti-heroes).

This is an interesting and unusual novel.

6 of 6 people found the following review helpful.
On the vulnerability of the intellectual in the real world
By David C. Moses
An man long devoted to intellectual pursuits comes down from his ivory tower in a final bid for love, but finds himself defenseless in the real world, where people do not understand him but are happy to harness his prestige for their own purposes. Benn Crader is a world famous botanist, but he also is a soft-hearted man, as you will know when you encounter the quotation that includes the book's title. Will the great scientist protect his special intellectual gifts, or will he allow the pressures of his new, very materialistic adopted family to destroy him? It's a great premise for a novel, and Bellow covers many, many of its implications and takes the story to a logical yet surprising ending. Bellow's narrator, Crader's admiring nephew, often takes off on tangents to ruminate on current events, the contemporary intellectual scene and various intellectual pursuits. Some of these tangents seem to fit into the story better than others, and once in a while I got frustrated and found myself paging ahead to see when he would stop ruminating and start telling the darn story again. Yet Bellow's intellectual meanderings include many interesting observations about life, and taken as a whole, they help to build a textured world around the story. "More Die of Heartbreak" is not a literary classic, but it is worth reading.

4 of 5 people found the following review helpful.
Brilliant start, the rest is boring
By Yoav Kashiv
This is the story of the relationships of a young faculty in a midwestern university with his uncle, a professor at the same university, with a sort of an ex-girlfriend, with whom he has a child, and with his parents, who live in Paris (where he grew up).
The first 70 pages or so of this novel are brilliant. Saul Bellow's gift for telling stories is depicted in them in both - plot and structure. He uses the English language and grammar as a musician uses notes to compose a beautiful and flowing piece of music.
Only after the first 70 pages the book becomes boring. The story is dragged and the beautiful usage of English turns into a demonstration of technique that doesn't really serve anything.
The verdict: Read the brilliant first 70 pages and then move to your next book...

See all 8 customer reviews...

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Jumat, 19 Desember 2014

[D700.Ebook] Ebook Witchcraft An Alternative Path, by Ann Moura

Ebook Witchcraft An Alternative Path, by Ann Moura

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Witchcraft An Alternative Path, by Ann Moura

Witchcraft is a positive, joyful celebration of life expressed through a meaningful, creative connection with nature. If you feel a kinship with all the life forms of Earth - animal, plant and mineral - and find solace in nature and the changing seasons, then you have already sensed the essence of this alternative spiritual path. Reverent and relevant, nature-based spirituality offers a way to experience the divinity and magic of all around you everyday.

This introductory guidebook presents the beliefs and practices of Witchcraft. Learn how to bridge the worlds of the seen and unseen, and integrate both the magical and mundane into a balanced life. Not exclusive to any one tradition, Witchcraft: An Alternative Path covers Esbat and Sabbat celebrations, simple spells, divination, altar set-up, deities, the Witches' code of personal responsibility, and rites to honor the God and Goddess.

  • Sales Rank: #1915776 in Books
  • Brand: Brand: Llewellyn Publications
  • Published on: 2003-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: .65" h x 6.06" w x 9.00" l,
  • Binding: Paperback
  • 264 pages
Features
  • Used Book in Good Condition

About the Author

Ann Moura has been a practitioner of Green Witchcraft for over forty years. She holds both a B.A. and an M.A. in History. Maura lives in Florida where she runs her own metaphysical store, presents public rituals, and teaches classes on the Craft. Visit her online at www.annmourasgarden.com or at www.lunasolesoterica.com.

Excerpt. � Reprinted by permission. All rights reserved.
2
Deciding to Learn
Perhaps you have decided you want to reclaim your connection
with the Earth and release your inner wild child of Nature,
but how to begin? There are many ways to approach
Witchcraft, and making a change in perspective that is gradual
or one that is completely different from a prior lifestyle is
a matter of personal decision or necessity. Witchcraft may be
practiced within the confines of mainstream religions as folk
art, utilizing the prevalent names of the deities, saints, and
other holy figures familiar to that religion. Throughout Europe,
the folk arts continued in all countries with local variations
―this is how some of the practices of the Old Religion
were preserved through times of persecution. In much of the
Americas, the native population was subjugated and forced to
convert to Catholicism, yet they too retained folk traditions
by adopting the names of saints for their gods, and in Mexico
even finding their own version of Mary with the Virgin of
Guadalupe. The site where the vision and miraculous painting
of the latter appeared was one held sacred to a local Earth
Goddess. To the priesthood, accepting the native image of
25
Mary was convenient to Catholic conversion. North American
tribes were more often converted by force to a Protestant version
of Christianity, with efforts made to eradicate all Native American
spiritual practices, creating a lasting resentment by the persecution
of those who did not conform to the new religion. Only in
the past century have Native Americans in the Northern Hemisphere
been successful in reclaiming their religious heritage.
African slaves brought to the Americas were also forced to convert
from their aboriginal religions to embrace Christianity, and
they responded to this challenge by adopting the images of Jesus,
Mary, and the various saints to represent their own deities. By
using the names accepted by society, the attributes of the old
deities were merely shifted until such time as it became possible to
return to the old names. Today, Santer�a, Candombl�, and Macumba
have mostly reclaimed the names of the deities and images
of African heritage. The same can be said for those Witches of European
heritage who have quietly practiced their Craft using the
names of saints for the Gods and Goddesses, and celebrated the
traditional holidays under the culturally accepted names, while
understanding the Pagan origins of these special days. Thus, folk
art Witches may invoke the Power as the energies of socially accepted
deities, angels, saints, and spirits, while adapting earlier
cultural images into their practice.
Many Pagan practices were adopted by the Catholic Church
under Pope Gregory the Great, in the seventh century C.E., as a
method for bringing acceptance of the new religion to Europe's
Pagan population and thus extending the power of the Church
over an ever-increasing amount of territory. The holy days of the
Old Religion were made into those of the saints and incorporated
into the mythology of the new religion. The myths of Dionysos,
Cybele and Attis,Mithras, and other very popular religions at the
dawn of Christianity were drawn into the new religion. The
Pagan holy days of the Winter Solstice (Yule), the Spring Equinox
26 So You Want to Be a Witch?
(Ostara), and Lughnassadh became Christmas (although scholars
argue that Jesus had to have been born in June), Easter (although
this word is the Saxon name of the Goddess of Spring), and Assumption
Day (although there are different religious traditions as
to whether Virgin Mary died or was bodily taken up into Heaven).
The Pagan sacred sites had their temples destroyed and churches
built over them; the rituals of the Mass came directly from the rituals
of meeting the Roman emperor as established by Diocletian;
and the customs of lighting candles at shrines, laying flowers at
natural wells, using incense and images of the different aspects of
the Divine were all adopted, with the Holy Family and the saints
taking the place of the ancient deities. Thus, because there has
been so much interweaving of the old with the new, it is not difficult
to practice the ancient ways within a culturally acceptable
and modern societal context.
Witchcraft is also practiced as personal magics, bringing the individual
into union with the Universe and enhancing personal energy
with that of herbs and other natural objects. In this style,
there is no reference to any deity, but rather the Divine is approached
as distilled through those objects used in spell work to
purposefully move energy for achieving a goal. Ritual, magical
tools, and conscious spellwork are actually functioning through
the Divine emanations known as the Elementals. This is when the
Witch begins to categorize spell-casting correlations and attributes
called lists of correspondences, placing these in a journal called
a Book of Shadows for consistency in magic work. Religion is very
muted in this approach, save as the Witch and the unnamed All
work together through the powers of Nature, using trust in instinct
and intuition as the main guide for magic. Ethics is still
needed here because the idea of balance permeates the magical
practice, be it in the form of giving a gift to receive a gift, knowing
that energy sent returns equally or threefold, or understanding
karmic destiny as determined by one's actions.
So You Want to Be a Witch? 27
Witchcraft is also a religion in its own right, and the magics of
the Craft are worked in a partnership between the Goddess and
the God and the Witch. Besides the lists of correspondences in the
Book of Shadows, there are also rituals for celebrating the phases
of the Moon and the eight Sabbats which are the spokes to the
Wheel of the Year. For the Solitary Practitioner, a Self-Initiation
may be done for introduction and for seeking arcane wisdom,
and later a further Dedication may be approached for a complete
union with the Divine. Many Wiccan Traditions have three degrees
of initiation, with the first degree being the introduction,
during which time the new Witch learns about the Craft; the second
degree being an elevation to High Priest or High Priestess allowing
the more experienced Witch to initiate others; and the
third degree being a recognition that the Witch is sufficiently experienced
to form her or his own coven. But for practical purposes,
the ideas behind these degrees are incorporated in the Solitary
practice of Self-Initiation, followed by study and practice for a
year and a day, and a periodic Re-Affirmation thereafter. A Self-
Dedication may be performed by personal ritual later on, or it
may occur as the experiencing of a spontaneous opening of the
lines of communication between the Witch and the Divine. The
only difference between the advancement of the individual
through experience and that of the degree system is the ritual according
to the tradition of the coven. The Solitary acts are between
the Witch and the Divine―hence, the Goddess and the
God are invoked by the Witch through the Self-Initiation for introduction
and learning, the commitment is usually reaffirmed at
least once a year, and there may finally be a complete union between
Witch and the Divine in a Self-Dedication. Not all Witches
pass through these stages of growth in the form of rituals, but instead
may note a difference in their perceptions and attitudes as
they live the Craft. As a religion, the magic of Witchcraft is often
directed through personal communion with the God and the
28 So You Want to Be a Witch?
Goddess, but the Divine energy may be indirectly channeled
through the Witch by working with the Elementals and the objects
of Nature such as herbs and crystals. Additionally, the Solitary
Witch also observes the Sabbats and the Esbats, either
through rituals or through recognition of the time and with activities
associated with these times.
The most important step in becoming a Witch is making that
first statement, which is the heart of the Self-Initiation. This is
how a person states his or her desire to learn about the Craft, to
become a Witch. The desire comes from the heart, and the ritual
act is actually a demonstration of what has already taken place internally.
To get to that point, the would-be Witch will have come
to a world-view with a Divine that is Goddess and God; an understanding
that life is meant to be enjoyed; and a comprehension
that the individual is part of the living Earth that needs to be
revered. Not only does this person recognize the connection with
all things, but with the Elementals, who are emanations of the Divine
and part of the person, in physical form and strengths
(Earth), in breath and thought (Air), in ambitions and energy
(Fire), and in blood, water, and emotions (Water). This feeling of
union is also a comprehension of the flow of energy through the
Self and Nature, the Universe, and the Divine; thus magic may be
worked simply by gathering, directing, and sending that energy to
accomplish a task before returning it to Nature. For many Witches
and other magical practitioners in other Pagan systems, this unifying
and sacred energy is simply called the Power. The Power can
be accessed through meditation―a quiet time in which the Witch
focuses the mind to receive information rather than attempting to
direct or shape it. An ethical standard may have already evolved
naturally in the supplicant since the awareness of interconnection
will stimulate the need for compassion and care in actions and
thoughts. This standard may be put in writing, or the adoption of
the basic Witches' Rede in chapter 1 will help in defining Craft
So You Want to Be a Witch? 29
ethics, and should be recited at the Sabbat and Esbat observances
or rituals.
Names in Witchcraft
If you have decided that you want to explore the path of Witchcraft,
you can begin with a Self-Initiation, announcing yourself to
the Goddess and the God, and asking for their help in your education.
It is a good idea to prepare in advance for this simple ritual,
and one of the things you should already decide upon is a
Working Name. This is different from your birth name or legal
name, being one that you have chosen and which you will use
whenever performing magic. Most religions have some way of
distinguishing the moment of transformation from nonparticipant
to membership. In the Catholic Church, the taking of a
saint's name is part of the Confirmation ceremony. In many
Protestant Churches, a similar event occurs or the person receives
a new title such as Brother, Sister, or Saint to designate the new
membership status.With Witchcraft, the Working Name is chosen
and carried in secret as a bond between the Witch and the Divine.
If the Witch works magic or conducts rituals with other
Witches, a second name is used in front of these people, and it is
called the Craft Name.With your Self-Initiation, you are creating
a special covenant between yourself and the Goddess and the
God.
Later on, when you have more experience and have decided
that you have found the spiritual path that speaks to your heart,
you may want to do a Dedication ritual. At this time, the Goddess
and the God will give you a new and secret Working Name, and
you can use the old one that you created as your Craft Name or
discard it. This new name from the Dedication is one that defines
you, and is never revealed to anyone, for it is a sacred trust between
you and the Goddess and the God. They may reveal to you
30 So You Want to Be a Witch?
Their secret names, or if not, you may ask Them and They will
answer. For now, the Initiation is first, and you will not be doing a
Dedication until much later.
Working Names are normally derived from something the person
enjoys, finds attractive, or is otherwise drawn to in Nature.
Some people adopt a deity name, but more likely the name will be
based on a personal appreciation for something in Nature such as
animals, trees, flowers, herbs, minerals, and weather. Some typical
examples of Working Names would be Willowleaf, Elderflower,
Tourmaline, Amber, Bear,Moth, Traveler, Explorer,Mist, Rainfall,
Autumn, Summer, Luna, AstroNightSky, Waterfall, Timber, and
Mossyrock. So you are thinking about something in Nature that
appeals to you, concepts that relate to you in particular based on
your hobbies or line of work, and you may even draw together
several ideas into one name. The main point is that it is a name
that has meaning to you. You could also draw your name from astrological
events and things from the universe, utilizing stars,
solar flares, comets, nebulas, and so forth as a portion of your
name. Or you could simply use a regular name that has always appealed
to you, and by investigating the derivation, find a meaningful
connection. In this way, a name such as Isadora can be seen
as derived from one who follows the Goddess Isis. There are any
number of ways to pick a personal Working Name, and all that
matters is that you are satisfied with it and that it is different from
your birth name.
When you take on the Working Name, you are alerting your
subconscious mind that something different is about to occur―it
takes you out of the ordinary world frame and prepares you to
enter into the magical realm. This aids in getting you into an altered
state of mind wherein you will be more able to move energy
and commune with the Goddess and the God. You will use this
name for spell castings and for the rituals familiar to Witchcraft―
the Esbats and the Sabbats.
So You Want to Be a Witch? 31
In general, the Craft Name is one you choose to call yourself by
and introduce yourself to others in the Craft. A Craft Name may
be used openly and when visiting a coven or working with other
Witches, and is sometimes called an outer court name. The Working
Name is a secret one that you choose to go by when working
magic and ritual in private. After doing a Dedication Ritual, the
Goddess and the God will bestow a new Working Name, one that
defines you, and is also kept secret. The Working Name is never
revealed to anyone, not even family and friends. If someone learns
your Working Name, you will need to release it and choose another.
For Witches who are part of a coven, there is also the Eke
Name, or Coven Name, which is either chosen by the person
being initiated into the coven, or is bestowed on the person by the
coven leaders, usually by the High Priestess. This name is used
only in the coven environment and is called an inner court name.
The Moons of the Witch:
The Esbats
The Esbats are rituals of the Full Moon and the New (Dark)
Moons―times to receive learning from the Goddess. The Lady is
mostly honored during the lunar phases of the Full Moon and
New Moon (at the last waning crescent), when magical workings
are usually done.While the Dark Moon (fully obscured) may also
be celebrated, this phase is best for meditational work rather than
active spell casting. The Esbats are times for drawing in the Goddess
energies, either for spell work or for personal understanding
and communication. Divinations and meditations may be done
as desired, for while there may be a ritual framework, the individual
practitioner has the freedom to do as needed. This freedom to
play around with the structure of the rituals and to incorporate
what you want into the Esbat is probably one of the more difficult
things for the new Witch to learn. Often we are accustomed to
32 So You Want to Be a Witch?
being told what to do and how to do it, but Witchcraft turns this
responsibility over to the Witch. You are in charge of your rituals
and your development, and you learn through asking the Goddess
for her assistance in your training.
The Full Moon honors the Goddess as Great Mother and recognizes
her influence in the tides of the Earth and in our lives.
There are normally twelve Full Moons in a solar year, but sometimes
there are thirteen, meaning that one solar month will embrace
two Full Moons. This second Full Moon is the Blue Moon,
and it is in this one that spiritual energy is enhanced.When there
are two Dark Moons in the same solar month, the second one will
be enhanced by psychic energy and is called the Sidhe Moon. The
reason I specify solar month is because there are also lunar
months, which will not match the more familiar calendar. The
lunar month is measured by the cycle of the Moon, while the solar
months are the calendar ones with thirty or thirty-one days, except
for February which usually has twenty-eight days, unless it is
a leap year when it has twenty-nine days.
The Full Moons follow the calendar months beginning with
the one in December, with a Blue Moon being a random event in
whatever month it happens to fall.When a second Full Moon occurs,
it can be in any season. There are different names associated
with the Moons, but these are common ones: December: Oak
Moon; January: Wolf Moon; February: Storm Moon; March: Sap
Moon; April: Seed Moon; May: Hare Moon; June: Dryad Moon;
July: Herb Moon; August: Barleycorn (or Corn) Moon; September:
Harvest Moon; October: Hunter's Moon; November: Snow Moon.
The Seasons of the Witch:
The Sabbats
The Witches' year is depicted like a wheel with eight spokes. The
spokes indicate the celebrated Sabbats, and these are composed of
four solar festivals called the Lesser Sabbats or the Quarters, and
So You Want to Be a Witch? 33
four agricultural festivals called the Greater Sabbats or the Cross-
Quarters. There are many ancient standing stone circles in Europe
where the Quarters of the year are marked by specially positioned
stones that catch the first rays of sunlight on the summer and
winter solstices and on the spring and fall (autumn) equinoxes.
Some people believe that such sites as Stonehenge in England
were prehistoric calendars used for agricultural and religious purposes,
but no one knows exactly what rituals or ceremonies were
originally conducted there. In Witchcraft, these Quarters and
Cross-Quarters form the eight major festivals of the year, revolving
around the mythology of the God and the Goddess. While
there are variations on the story about the yearly passage of the
God through these special times, the archetypes are fairly consistent
and the differences are not all that relevant.
Because the Divine is One and manifest in all things, the aspects
of the Divine may interchange roles. Either the Lady or the
Lord may represent the Sun, Moon, Grain, Harvest, Waters of
Life, Universe, Sky, Earth, Life, Death, Passage, Resurrection in
Body and/or in Spirit. The Lady and the Lord symbolize female
and male fertility. They are both Power and Passage, honored with
rites of burning lamps, candles, and torches; with salt and water,
bread and wine, and flowers and grain. They both represent the
passing of the seasons through solstices and equinoxes as well as
the cycle of agriculture from seed preparation through planting,
tending, and harvesting. The correlation of the cycles of Sun
phases and agriculture is made with the life cycle, depicting a person's
transition through the stages of life from pregnancy, to
birth, youth, maturation and parenthood, old age, death passage,
and rebirth. Thus the Lord yearly shows us through his passage in
the solar cycles how our own lives transit through our own years.
He is the Sun, and the Lady is the Earth, culminating with the energy
of the Sun entering the life-supporting grains of the Earth,
and giving the spirit of life into the fruits of the vines that refresh
34 So You Want to Be a Witch?

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15 of 19 people found the following review helpful.
I'm not sure about this one...
By A Customer
Ann Moura is a little odd. She says she's from a "Craftwise" family, but her mother and grandmother were Catholics. Yes, they could theoretically know some witchcraft techniques, or be Christian Witches. That, I do not have a problem with. The material she presents, however, is INCREDIBLY Wiccan. The rituals, the theology, the ethics, the elements. It's all Wiccan. She does do some things a little backwards, saying that you initiate yourself first, and after a year and a day do a dedication, which is completely contrary to everything I've ever read or heard of. Other than that, and a few other little odd things I think she might have done backwards in order to make people think she's not *too* Wiccan, this is, yet another, Wicca 101 book. If you're going to read this, I would also recommend "Out of The Shadows: Myths and Truths of Modern Wicca" by Lillith McLelland, "Triumph of The Moon" by Ronald Hutton, and "Wicca: A Guide for the Solitary Practioner" by Scott Cunningham. I actually think "To Ride A Silver Broomstick" might actually be better for a beginners book than this one.

1 of 1 people found the following review helpful.
A Beginner's Dream
By Smith
Aside from the fact that this book was a catalyst for me falling in love with Ann Mouras Books, it was a realistic, practical and interesting read. For those whose need to ask, "Is Witchcraft right for me?" Look no further this book will help you. I highly recommend anything Ann Moura has written to assist you on your Path.

0 of 0 people found the following review helpful.
Five Stars
By Orcusnox
I really liked this; it was simple and easy to understand.

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I was so lucky to get adopted. My birth family was terrible to me, and my new family plucked me off the streets just in the nick of time. I was even luckier to end up with twin stepbrothers, two gorgeous hunks who I managed to annoy every summer at our family's cabin by the lake.

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2. Craving my Twin Stepbrothers (amazon.com/dp/B00WJCXCWU)
3. Loving my Twin Stepbrothers (amazon.com/dp/B00XK8ZBXA)

  • Published on: 2015-04-03
  • Released on: 2015-04-03
  • Format: Kindle eBook

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2 of 2 people found the following review helpful.
A Great Read!
By Donna feibusch
I liked reading Taken by me Twin Stepbrothers, all about Damian & Angel my stepbrothers and me their step-sister. You see I was adopted when I was thirteen and have always had two amazing stepbrothers that looked after me and really made me feel like one of the family! The author wrote an interesting story, and the characters bring the story to life. I'm back for a weekend visit and they brought me to the lake, now I'm thinking I should see if I can get a month off and stay at the lake with my stepbrothers! If you like taboo stories that are hot & steamy and make you wet, then this series is right for you! I can't wait to read book two.

1 of 1 people found the following review helpful.
There isn't anything I can say bad about it
By Sisterhood Of The Travelling Book Blog
This is a quick read. (lunch time). There isn't anything I can say bad about it!. Only thing I wish it was a longer read :) The characters are amazing. And I want more of them LOL
If you want something smokin hot get this.

1 of 1 people found the following review helpful.
Very Hot!
By Susan D
Very Hot! If you like stepbrother romances like I do, then this book is for you. You don't just have one sexy stepbrother, you have two of them. I am looking forward to the next part.

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Senin, 15 Desember 2014

[G471.Ebook] PDF Download The Devil in History: Communism, Fascism, and Some Lessons of the Twentieth Century, by Vladimir Tismaneanu

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The Devil in History: Communism, Fascism, and Some Lessons of the Twentieth Century, by Vladimir Tismaneanu

The Devil in History is a provocative analysis of the relationship between communism and fascism. Reflecting the author’s personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics.

The author discusses thinkers who have shaped contemporary understanding of totalitarian movements—people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, Fran�ois Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.

  • Sales Rank: #958785 in Books
  • Brand: Brand: University of California Press
  • Published on: 2012-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.20" l, 1.25 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Review
"[A] fine and undoubtedly enduring study."--William Pfaff"New York Review of Books" (06/20/2013)

"This volume achieves the rare distinction of being at once nuanced and impassioned. It is likely to remain a durable contribution to a deeper understanding of the great historical outrages of the past century which were closely linked to the concept and reality of totalitarianism."--Paul Hollander"New Criterion" (04/01/2013)

"An ambitious and challenging rereading of twentieth-century history."--John Gray"Times Literary Supplement (TLS)" (01/02/2012)

"A definitive account of the origins, the appeal, the doctrinal foundations and the political technology of history's two bloodiest political faiths . . . this profound and rich book is also a cautionary tale."--Leon Aron"Wall Street Journal" (01/12/2013)

"The parallels between communism and fascism have often been noted, fueling endless debates over whether the movements were fundamentally similar or different. The Devil in History . . . presents a genuinely fresh perspective on this topic."--Andrew Nagorski"Foreign Affairs" (01/01/2013)

"At a time when liberal values are showing their frailty and salvationist mythologies are returning to favour in different places, an absorbing comparative essay is provided on the origins, ravages and ultimate failure of the radical totalitarian movements of the last century: communism and fascism. Vladimir Tismaneanu is an appropriate guide, a polymath steeped in the philosophical, literary and social science texts spawned by defenders, apostates and analysts of this phenomenon."--Tom Gallagher"International Affairs" (09/01/2012)

"Tismaneanu's real concern is to examine what he calls the 'maximalist utopian aspirations' expressed by communist and fascist regimes in Europe to try to understand how it is that systems that set out with a utopian agenda--world revolution or national rebirth--end up constructing murderous dystopias. There is a consensus in the Western world that these were 'delusional visions', as Tismaneanu calls them, but both European communism and fascism have died as mainstream political forces, making it easier to see them as deluded. The core of this perceptive and intelligent analysis is addressed to the more troubling question of how they were possible at all."--Richard Overy"Times Higher Education" (09/13/2012)

"The book offers a fascinating read with an incredible wealth of bibliographic sources that will benefit all those interested in the topic. The author has succeeded in giving not only a solid account of the spirituality and history of communist and fascist regimes, but also an outstanding testimony of liberal political and normative thinking."--Camil Roman"Cambridge Review of International Affairs" (05/08/2013)

"Many books have been written about the similarities and differences between communism and fascism, both in theory and practice. None, however, matches the insight, analysis, and deep thought found in The Devil in History."--Ronald Radosh"Weekly Standard" (08/12/2013)

"Tismaneanu seeks to fulfill the ancient Jewish commandment of remembering and reminding, zachor, lest we forget and it may return. . . . Tismaneanu argues convincingly that a reckoning with the past can be both exorcism and therapy, and insists that there should be no silence or thick line separating the present from the embarrassing past. No reader of this book can accuse its author of ignoring the past."--Aviezer Tucker"Perspectives on Politics" (12/01/2013)

"Tismaneanu's lucid narrative walks us through an intellectual landscape that traces the trajectory of totalitarian thinking back to its origins."--J. P. O Malley"The Daily Beast" (09/28/2012)"

"[A] fine and undoubtedly enduring study. This affinity of Leninism with Nazism is the argument of Tismaneanu s book. It is a claim that since 1945, and particularly the Cold War, has generated much controversy. A distinguished book."--William Pfaff"New York Review of Books" (06/20/2013)"

This volume achieves the rare distinction of being at once nuanced and impassioned. It is likely to remain a durable contribution to a deeper understanding of the great historical outrages of the past century which were closely linked to the concept and reality of totalitarianism. --Paul Hollander"New Criterion" (04/01/2013)"

An ambitious and challenging rereading of twentieth-century history. --John Gray"Times Literary Supplement (TLS)" (01/02/2012)"

A definitive account of the origins, the appeal, the doctrinal foundations and the political technology of history's two bloodiest political faiths . . . this profound and rich book is also a cautionary tale. --Leon Aron"Wall Street Journal" (01/12/2013)"

The parallels between communism and fascism have often been noted, fueling endless debates over whether the movements were fundamentally similar or different. The Devil in History . . . presents a genuinely fresh perspective on this topic. --Andrew Nagorski"Foreign Affairs" (01/01/2013)"

Tismaneanu s lucid narrative walks us through an intellectual landscape that traces the trajectory of totalitarian thinking back to its origins. --J. P. O Malley"The Daily Beast" (09/28/2012)"

At a time when liberal values are showing their frailty and salvationist mythologies are returning to favour in different places, an absorbing comparative essay is provided on the origins, ravages and ultimate failure of the radical totalitarian movements of the last century: communism and fascism. Vladimir Tismaneanu is an appropriate guide, a polymath steeped in the philosophical, literary and social science texts spawned by defenders, apostates and analysts of this phenomenon. --Tom Gallagher"International Affairs" (09/01/2012)"

Tismaneanu's real concern is to examine what he calls the maximalist utopian aspirations expressed by communist and fascist regimes in Europe to try to understand how it is that systems that set out with a utopian agenda world revolution or national rebirth end up constructing murderous dystopias. There is a consensus in the Western world that these were delusional visions, as Tismaneanu calls them, but both European communism and fascism have died as mainstream political forces, making it easier to see them as deluded. The core of this perceptive and intelligent analysis is addressed to the more troubling question of how they were possible at all. --Richard Overy"Times Higher Education" (09/13/2012)"

"Vladimir Tismaneanu is the perfect political analyst for today, for he is an expert on both the legacies of Nazism and Communism. In spite of optimistic diagnoses and rampant wishful thinking, these two pathologies are not dead. Vladimir Tismaneanu s illuminating book is an antidote against new experiments in utopian radicalism and social engineering."--Ion Mihai Pacepa"WND" (07/08/2013)"

"The account provided is particularly strong on separating the critical paradigms of Marxism that emerged in East and West. . . . Getting the record straight here is important and challenges any simplistic notion of Eastern Europe s conversion to liberalism."--Richard Shorten"American Historical Review" (12/01/2013)"

From the Inside Flap
“Vladimir Tismaneanu combines enormous erudition, sharp insight, and unique personal experience in this wide-ranging essay on the problems of totalitarianism in the twentieth century. The Devil in History is mandatory reading for those interested in the crucial questions of morality and politics posed by the comparison of Nazism and Stalinism.” —Norman M. Naimark, Robert and Florence McDonnel Professor of Eastern European Studies, Stanford University



“The Devil in History is a lengthy essay on the intellectual origins, crimes, and failures of the twentieth century’s worst totalitarian types of regimes, fascism and communism. There are few scholars as conversant with this material, or as able to explain it as well, as Vladimir Tismaneanu, who gives a good sense of why utopian ideals meant to overcome the ills of capitalist, bourgeois democracy went so sensationally wrong and produced such massive evil.” —Daniel Chirot, co-author of Why Not Kill Them All? The Logic and Prevention of Mass Political Murder



"The Devil in History is a very important work of intellectual history that considers a basic question of the twentieth century and represents vast and ecumenical learning and well-considered personal experience. It has moments of indubitable brilliance." —Timothy Snyder, author of The Reconstruction of Nations: Poland, Ukraine, Lithuania, Belarus, 1569-1999



“In his revealing new study, Vladimir Tismaneanu traces the intellectual origins of the murderous twentieth century. The focus is on the ideologies of Europe’s totalitarian regimes identified most prominently with the names Lenin, Stalin, and Hitler. Although these characters were amoral and perhaps even psychopathic killers, the author rightly insists that such labels do not explain the popular appeal of the dictators, who were worshipped as if they were gods by crowds of true believers. Even after 1945, new Communist leaders pursued quests for utopia and mounted crusades of their own, all of them doomed to fail. Tismaneanu provides a compelling and convincing account of how this monumental tragedy came to pass.” —Robert Gellately, author of Lenin, Stalin, and Hitler: The Age of Social Catastrophe

About the Author
Vladimir Tismaneanu is Professor of Comparative Politics at the University of Maryland, College Park, and author of several books, including Stalinism for All Seasons: A History of Romanian Communism (UC Press), Fantasies of Salvation: Democracy, Nationalism and Myth in Post-Communist Europe, and Reinventing Politics: Eastern Europe from Stalin to Havel.

Most helpful customer reviews

34 of 37 people found the following review helpful.
Tismaneanu at his best!
By Peter Stone
Vladimir Tismaneanu is a celebrated writer who once described himself as "a scholar of the history of ideas." For some, that subject might sound kind of remote from real life; but certainly not for those who are aware that "ideas which seize the masses become a powerful material force." Tismaneanu's new book convincingly shows that history of ideas is a subject of vital importance for the fate of the world.

In the past one hundred years, our world has suffered from atrocities and destruction of unprecedented scope - all committed in the name of two utopian ideas, communism and fascism. This book examines the question how captivating ideas of philosophers could produce totalitarian regimes with their terrible inhuman practices.

This work marks a new level of excellence in Vladimir Tismaneanu's writing accomplishments. It has instantly gained international recognition and got featured by Times Higher Education as "the book of the week," praised for its "perceptive and intelligent analysis."

Hitler's and Stalin's totalitarian regimes are long gone, but not genocidal acts inspired by hatred and intolerance. Delusional and destructive ideas can still captivate many minds, especially immature or feeble. Hence, the timeliness of this book today. I strongly recommend it to both academic and non-academic readers.

16 of 18 people found the following review helpful.
Writing style hides many excellent insights
By Robert Ashton
Few are better qualified to "map and explain ... the "ideological storms" of a century second to none in violence, hubris, ruthlessness, and human sacrifices" as author Vladimir Tismaneanu. Professor of Comparative Politics at the University of Maryland, Tismaneanu was born in Communist Romania (his parents had fought in the International Brigade in the Spanish Civil War) and he experienced first-hand the collapse of the Soviet system in Eastern Europe. Indeed, there is much of interest in this book particularly in highlighting the commonalities between Fascism and Communism and in his warnings of the dangers of resurgent nationalism. However, repetition, a very turgid style of writing and assumptions of familiarity with writers and critics from within Eastern Europe make sections of the book hard going, even for the reasonably well-informed reader.
The book, although looking at both Fascism and Marxism, is heavily weighted towards the Soviets. This is probably due to the author's own experiences but also to the fact that much of the excess of the Soviet experiment is only recently being fully explored. As Tismaneanu says: "the comparison between Communism and Fascism has been fundamentally tainted ... both by the claim of the original innocence of Leninism ... and by anti-Fascism's long-standing, resounding failure to denounce the murderousness and illiberality of Communist regimes." Some of this imbalance has been addressed by recent books such as "Lenin, Stalin and Hitler" by Robert Gellately and "Bloodlands" by Timothy Snyder, both quoted favorably by Tismaneanu. Although the focus on Communism is understandable I think more analysis of the Fascist regimes, including perhaps Spain and Portugal, would have been enlightening.
His core argument is that both Fascism and Communism had a shared goal of re-shaping the world through the destruction of modern liberal democracy and to, in essence, "build Heaven on Earth". Although one was based on racial purity and the other on class purity, both felt free to persecute and kill almost without constraint. Although the Marxists were clearly atheist and one can debate the religious position of Fascism: "(i)n fact, they were political religions, with their own rituals, prophets, saints, zealots, inquisitors, traitors, renegades, heretics, apostates, and holy writ." He highlights one of the major differences as being the importance and dominance of "the party" in Communism, which could survive changes in leadership (although the leader was very important), compared to the cult of the individual in Fascism. Obviously this aided the longevity of the Communist states but what would have happened in Germany or Italy is debatable. Both these regimes lost the war and a leadership transition never occurred.
This idea of the religious nature of the two philosophers repeats throughout the book, often really adding nothing new. This repetition is one of the issues I have with this book. The other major problem is the writing style. When I come across this type of writing from academics, I often wonder whether it comes from erudition or obfuscation. Whatever the cause, be warned that you will regularly come across sentences like this: "In other words, the historicity of Marxism, the moment of the Marxist self-consciousness was central to reinventing the true value of negativity as a new space for the affirmation of particularity against the spurious universality glorified by the system." (Author's italics)
In the end, Tismaneanu decries the totalitarian regimes for their abandonment of simple, established distinctions between good and evil. He says of the collapse of the Soviet system: "the core value restored, cherished and promoted by the revolutions of 1989 was common sense." This book contains a lot of very good analysis and draws many sensible and enlightening lessons from a terrible time. It is a pity that it is written in such a way as to discourage a wider readership.

19 of 23 people found the following review helpful.
TELL ALL BOOK ABOUT THE BOLSHIES
By R. E. Cohen
The Devil In History by Vladimir Tismaneanu is a terrific analysis of Leninism and Stalinism and how they stand in comparison to Nazism and Fascism. I am still in the middle of reading it and page by page it is revealing and illuminating. It also has a message for today - but no spoilers - read it!

Cantor Bob

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Room, by Emma Donoghue

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Room, by Emma Donoghue

NOW A MAJOR MOTION PICTURE -- nominated for four Academy Awards, including Best Picture

To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.

Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.

Room is a tale at once shocking, riveting, exhilarating--a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.

  • Sales Rank: #8458 in Books
  • Brand: Back Bay Books
  • Published on: 2011-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .88" w x 5.50" l, .80 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Great product!

Amazon.com Review
Amazon Best of the Month, September 2010: In many ways, Jack is a typical 5-year-old. He likes to read books, watch TV, and play games with his Ma. But Jack is different in a big way--he has lived his entire life in a single room, sharing the tiny space with only his mother and an unnerving nighttime visitor known as Old Nick. For Jack, Room is the only world he knows, but for Ma, it is a prison in which she has tried to craft a normal life for her son. When their insular world suddenly expands beyond the confines of their four walls, the consequences are piercing and extraordinary. Despite its profoundly disturbing premise, Emma Donoghue's Room is rife with moments of hope and beauty, and the dogged determination to live, even in the most desolate circumstances. A stunning and original novel of survival in captivity, readers who enter Room will leave staggered, as though, like Jack, they are seeing the world for the very first time. --Lynette Mong

From Publishers Weekly
Starred Review. Five-year-old Jack and his Ma live and eat and play and sleep in one room--an 11×11-foot space that is their prison--captives of the terrifying man Jack calls Old Nick. But as Jack grows older and more curious, it becomes clear that the room will not be able to hold him and Ma forever. Michal Friedman shines as Jack; her narration is haunting and compelling in its every inflection and tone. The voice she creates for Jack is so convincing, listeners may even mistake her for an actual child. Her powerful performance is complemented by Robert Petcoff's sinister Old Nick, and Ellen Archer's portrayal of resourceful Ma, whose gentle voice is infused with patience, terror, and hope. The chemistry between the players creates a gem of an audiobook that will haunt listeners long after the story's end. A Little, Brown hardcover (Reviews, July 12). (Sept.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Bookmarks Magazine
Critics were enthralled by Donoghue's latest novel, inspired by the Josef Fritz case, in which an Austrian man locked his daughter in the basement for 24 years. Describing it as gripping, claustrophobic, and "fantastically evocative" (Washington Post), they also predicted that Room, recently short-listed for the Booker Prize, would appeal to a much larger audience than the author's previous fiction. On the other hand, several reviewers noted that Jack's understated anxiety in the book's second half didn't quite ring true, but they also acknowledged that the critique was "based on the very high standards set by the beauty of the book" (New York Times Book Review). As a thriller of sorts and a love story, Donoghue's novel is a stunning achievement. Or, as one critic put it, "Such a story, such a mother" (Entertainment Weekly).

Most helpful customer reviews

7 of 8 people found the following review helpful.
Gripping
By Rowan
The story is told by Jack, a very intelligent, articulate five year old boy. Raised by his mother, who was kidnapped at nineteen, imprisoned in a small metal garden shed that had been made escape proof. She is at the mercy of her jailer for even the bare essentials of survival. She gives birth to Jack frightened and alone. Jack gives Ma, as he comes to call her, a reason to live, somebody to love. Their relationship is the heart of the story. An awesome story of a Mother's love for her son. Jack grows believing the room is all there is. Beyond the room is outer space. When the man comes at night Jack retreats to the wardrobe, he always wakes up in his and Ma's bed in the morning. Besides the bed and the wardrobe there is a toilet, bathtub, sink, refrigerator, stove, cupboard, a small TV with rabbit ears and poor picture, a small table and two chairs. The only door, a steel security door operated by a touch pad, the only window, a sky-light in the roof. There is no privacy, no escape. Each day when Ma believes the man is gone from the area they stand on the table screaming, hoping someone will hear. Each night Ma slips out of bed and using the light switch sends an SOS hoping maybe someone will see the light blinking through the sky-light and rescue them. When the man turns off the electricity leaving them without heat, lights or food to punish Ma, Jack's tiny world becomes even more frightening. A novel I couldn't put down.

0 of 0 people found the following review helpful.
Go hug your children folks and be thankful for the safety of the “Room” you choose!
By Meg
“Room” is a book about a 19-year-old woman who was kidnapped outside of her college campus. She was held captive for 7 years in a small highly secure one room shed on the kidnapper’s property. 2 years in she gave birth alone to a little boy she named Jack. The book is about their survival in “Room” and healing thereafter told in the voice of 5-year-old Jack.

I wouldn't consider what I have included as "spoilers" but reader be advised.

I don’t think “Room” is a book anyone in their right mind can say that they “loved”. It was beautifully written and extremely real feeling. That being said, it was very painful for me to read. I had to take breaks from it for a few days just to leave their world. Having two sons with Autism and reading Jack’s thoughts on what he calls, “Outside” felt very much like what I imagine my children feel and think at times. The interactions between Jack, his mother, and new people were reminiscent to our experiences with others who are not familiar with our children. The rushing, the pushing, the impatience, and the frustration towards this child who is always focused on making the “correct” decisions while trying to experience the world and please people.

I loved Ma in Room. She was everything we can hope to be as parents. Her perseverance and undying love for her son that was born of a horrible series of events is just beautiful. The ways she tried to give him answers to every possible question, which if you have ever spent time with a 4-5-year-old... it can be intense to say the least. The creative ways she educated him, kept him happy, and playful was amazing. Ma outside of Room was very raw and real. I could see myself making most of her choices be them mistakes or not. As the reader, we can always say we would have done better. I'm not sure I would have given the circumstances.

After reflecting on the novel, maybe I did love it. Maybe I’m “not in my right mind” having been so emotionally affected by this stunning portrayal of the base lines that make us parents and people. It is certainly something everyone should read. It will change the way you look at your core human interactions and the world at large. Go hug your children folks and be thankful for the safety of the “Room” you choose.

5 of 5 people found the following review helpful.
Great book!!
By Bobbi Radford
This is a great book but can be sad at times. The movie is getting ready to come out in theaters and my daughter has been telling me to read this book for years. I laughed, I cried, I got mad and scared. This book is not for the faint of heart and not for everyone but I loved it.

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Jumat, 12 Desember 2014

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  • Sales Rank: #1656507 in Books
  • Published on: 2010-12-28
  • Number of items: 2
  • Binding: Paperback

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[H143.Ebook] Ebook Free 101 High Jump Drills, by Cliff Rovelto, Gwen Wentland

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101 High Jump Drills, by Cliff Rovelto, Gwen Wentland

Whether you are a high school or college-level coach, parent-coach, or trainer, the information provided in this Revised Edition of 101 High Jump Drills will enhance your training program and provide results. The drills and exercises contained in this book have yielded proven results and have been utilized by many national champions and Olympians. The drills are presented in an easy-to-follow format that allows the reader to find drills pertinent to specific developmental phases of the high jump event. The types of drills include: warm-up, approach, takeoff mechanism, bar clearance, special strength and weight exercises, polymeric exercises, and drills with hurdles and balance apparatus.

  • Sales Rank: #781199 in Books
  • Published on: 2014-08-08
  • Binding: Perfect Paperback
  • 125 pages

About the Author
Cliff Rovelto is an internationally recognized authority in jumps and combined events. He has coached collegians for over 32 years. In his position as the director of track and field at Kansas State University, he has personally coached 56 athletes who have earned a combined total of 136 NCAA All-American certificates, and has coached 82 conference individual event champions. He was the 2001 U.S. Track Coaches Association National Coach of the Year and five-time Midwest Region Coach of the Year. He has also been a two-time Big 12 Conference Coach of the Year. In 2004, he was awarded the United States Women's Track and Field College Coaches Award for Service.

Rovelto has assisted with curriculum development for the USA combined-events coaching education program and also served as an instructor for the program. He is one of only two coaches in the United States to coach multiple combined-event athletes to over 8,000 (men) and 6,000 (women) points.

Rovelto has coached 14 individual Olympians, who have competed in the games on 18 occasions six of these athletes have been high jumpers. At the 2004 Olympics in Athens, Greece, one of his athletes, Matt Hemingway, was a silver medalist, and another, Jamie Nieto, placed fourth. In 2012, all three men's team USA high jumpers were coached by Rovelto. Erik Kynard, a senior at Kansas State, won an Olympic silver medal.

Another of Rovelto's athletes, Jesse Williams, won the 2011 IAAF World Championship title in the high jump. Rovelto has also coached 18 USA indoor and outdoor senior national champions in the high jump. While at Kansas State, he has coached 23 Big 12 Conference champions, 49 All-Americans, and seven NCAA individual champions in the high jump.

Gwen Wentland was a world-class high jumper with more than 18 years of competitive experience. She was ranked by Track & Field News as one of the nation's top 10 high jumpers for 15 years. Wentland has two national high-jump titles and three runner-up finishes to her name. She is also a former world-record holder in the pentathlon high jump at 6'4 1/4", and the American-record holder in the heptathlon high jump at 6'4". She was a member of the 2003 U.S. World Championship team that competed in Paris, France.

Wentland has served as the 2012 Olympic Games assistant coach for jumps and combined events in London, England. She was the assistant coach for the 2010 World Indoor Championships in Doha, Qatar, 2002 World junior Championships in Kingston, Jamaica, and worked as the Athletes Liaison Officer for the 2001 World Championships in Debrecen, Hungary, Greece, and the 1997 World Championships in Athens, Greece. She has served as an assistant coach at both her alma mater, Kansas State University, and the University of California, Irvine. In 2006, Wentland was inducted into the Kansas State University Athletic Hall of Fame.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good drills
By gaseiler
It has good drills and strategies that can be used with high jumpers to work on the skills needed to be successful. The headings make it easy to find drills to work on a particular skill but the only draw back is that I would like to see more images and a step by step image to describe how the drill is done.

1 of 2 people found the following review helpful.
Go Gwen!
By Julianna
I am a prior high jumper myself and decided to buy the book in order to help my young teen daughter with drills meant to strengthen her skills. I was excited to see Gwen, who I knew in college, as the Model/Athlete demonstrating all the drills.

0 of 0 people found the following review helpful.
A bible for jumps coaches
By Sky Rider
Loaded with drills for each phase of the high jump. The best high jump drills book on the market. Some of the drills translate to other jumping events. A must have coaching manual, I am so glad I bought it!

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