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Pretty Things, by Sarra Manning
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Brie is in love with Lanc�me Juicy Tubes, Louis Vuitton accessories, and her gay best friend Charlie, who is in love with 1960s pop art, 1980s teen movies, and serial heartbreaker Walker, who has ever only been in love with his VW Bug, until he meets Daisy . . . who is too busy hating everyone to know what love is. Set in London, this girl-loves-boy-loves-boy-lovesgirl romp is set against a theatrical production of The Taming of the Shrew, and features enough on- and off-stage drama to satisfy teens looking for a beach read—or a read all year round.
- Sales Rank: #2020429 in Books
- Published on: 2006-03-02
- Released on: 2006-03-02
- Original language: English
- Number of items: 1
- Dimensions: 6.99" h x .72" w x 4.96" l, .44 pounds
- Binding: Paperback
- 272 pages
From Publishers Weekly
Brie loves her gay best friend, Charlie, who's crushing on straight Walker, who's fallen for lesbian Daisy in Manning's (Guitar Girl) uneven novel about four British teens in a summer drama workshop. They're performing The Taming of the Shrew, and while the protagonists do not discuss the workshop or explore their own characters much, the play provides a loose parallel to their lives (pretty Brie is unable to stand up for herself, while outspoken Daisy is continuously fighting for equality). The teens, who each have a distinct voice, take turns narrating, describing their own personal crises: Charlie does not feel that being gay is the extent of his identity ("I only fancy straight boys, which is kinda limiting," he confesses), while Daisy is disappointed by her girlfriend's cold reaction when she makes a surprise visit to her at peace camp. Unfortunately, none of the protagonists is that easy to sympathize with: Brie is shallow, Walker keeps harassing Daisy, and even Charlie treats Brie badly. The book raises compelling questions about identity (after Daisy hooks up with Walker, she realizes "Maybe I should stop defining myself through the people I slept with and start trying to work out who the hell I actually am" and readers will applaud Brie's growing self-esteem, highlighted by her brilliant performance in the role of Kate), but despite the rotating perspectives, readers don't really get to know these characters. Ages 14-up. (June)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 9 Up–Four deftly drawn teens from North London share the spotlight in this romantic rectangle. Brie regularly invites Charlie, her gay best friend, to sleep over in her bed. Charlie falls head over heels for Walker, a straight teen who is involved with them in a summer drama group that will be performing The Taming of the Shrew. Although Walker leads Charlie on, his heart really belongs to Daisy, a well-endowed lesbian who is also in the play. Gender identity issues intensify as Daisy discovers she is attracted to and enjoys sex with Walker as much as with her girlfriend, Claire. Charlie decides that even though he is really, truly gay, he still loves Brie enough as his best friend to want to have sex with her, though she does not reciprocate. Daisy finds Brie pitiful and annoying, but she forces an intense kiss on her just to show her what it's like to be kissed by another girl. Brie knows wholeheartedly that she is straight, but the boy she likes is sexually demanding and she thwarts his ultimate attempt to rape her. Despite all the confusion, complications, and miscommunications, by story's end everything seems squared away and the teens are a little surer of their relationships. The constant bombardment of gay versus bisexual versus straight issues and attitudes, and the frequent and excessive drinking, wears thin and becomes almost overwhelming. However, the four distinct voices that come alive and echo a strong story of love, disillusion, and resolution are the novel's saving grace. As she did in Guitar Girl (Dutton, 2004), Manning skillfully depicts scenes of romance and conflict.–Diane P. Tuccillo, City of Mesa Library, AZ
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Gr. 10-12. Brie, Charlie, Daisy, and Walker are four London teens coping with sexuality issues against the backdrop of a drama workshop devoted to staging The Taming of the Shrew. In alternating narratives, readers are provided with varying viewpoints and interpretations of each character: Daisy, known for her strident lesbian politics; apparently shallow Brie; sexually promiscuous Walker; and Charlie, Walker's self-assured gay best friend. Manning, the author of Guitar Girl (2003), knows teenagers, their issues, and how to use humor to provoke insight. Her writing is solid and engaging, and her characters and their concerns (Does Brie's mom have a clue that she's Brie's problem? Can Daisy be nice for more than five minutes?) are vivid and real. Frequent drinking and a fair amount of bed-sharing suggest a mature readership, but like Stephen Chbosky's The Perks of Being a Wallflower (1999), which earns a reference here (as does Thomas Chatterton), this will attract a cult of teen readers who aren't afraid of people who are different from or "kind of like" them--but bolder and funnier. Francisca Goldsmith
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Pretty Things sounds like a great book to read in ...
By Kristina
Pretty Things sounds like a great book to read in the summer, and that's why I picked it up.
We follow four teens: Charlie, Brie, Daisy, and Walker, who come together over the summer for a theater group. I enjoyed that it was told in alternating perspectives. That really helped make the point that we all think we have people pegged. We even think we have ourselves pegged sometimes. But people are fluid, ever changing, ever growing. People surprise us. We surprise ourselves.
That's really what Pretty Things is about in the end.
Great summer read? Yes, it was quite funny and enjoyable. But it is also a book that you take something away from.
*And as a lovely bonus, each chapter has a quote from a song lyric at the top (the credits to which are in the end) so if you like listening to music while you read, you've got yourself a soundtrack for each chapter.
5 of 5 people found the following review helpful.
Chaotic and messy, but in a good way
By Commodore Lane
This is a book for people who don't read books like The Princess Diaries because they are too unrealistic. This book shows how messy it is to be an almost-adult (the characters in the book are around eighteen or nineteen): relationships, making new friends, weird feelings for your best friends, weird feelings for people you supposedly hate, and never quite being sure in your sexuality. I didn't have any problem with the book, but some parents might. It's got some mature content: lots of drinking, a few sex scenes (nothing graphic) and quite a bit language that could be referred to as "questionable." I'd probably peg it as a sixteen and up book. It held my interest to the end, which wasn't one of those "fix all deus ex machina every ends up happy and with a significant other" endings that a lot of teen books have. Not that it's without its flaws: the book is told from the four main characters' perspectives, and the only way I could differentiate between the perspectives sometimes was the way the person talked about the other three people. They are four very different people with different tastes, so I figured their speaking styles would've been different. They were, but not enough. Anyway, good summer reading: nothing too fancy, nothing too deep, but deeper than most teenage books.
8 of 9 people found the following review helpful.
An entertaining story about 4 teens caught in a love rectangle
By Teen Reads
Brie, Charlie, Walker, and Daisy are four London teens trapped in a love rectangle. All are involved in a local summer theater production of "The Taming of the Shrew," but little do they know that their lives will become equally as dramatic as a Shakespearean play.
Brie can't live without designer labels, lip gloss, and her best friend Charlie. She's often hungry because she's always on a diet. Brie's mother constantly tells her daughter that she'd better work at her appearance or else nobody will be attracted to her. "The minute Mum heard me open the fridge she'd be peering over my shoulder to make sure that I was going to get an apple because if I put even the smallest crumb of chocolate in my mouth, she reckons I'd bloat up twenty-five pounds and never get a boyfriend." As a result, Brie obsesses and stresses about every detail of her life. The thing she wishes for the most, though, is for Charlie to be straight, and not gay. If he were straight, he could be her boyfriend. Charlie already has seen her at her worst. He always stood by her side. He loved her, flaws and all.
But unfortunately for Brie, Charlie isn't straight. He's gay. And he's in love with Walker, the womanizer. Charlie is a self-described "indie/emo hybrid." Unlike Brie's designer labels, Charlie likes his Converse All Star low-tops and his homemade T-shirt with the word "Gayer" written on it. Though he was comfortable being gay --- when he came out to his Mum she said, "That's okay, babes. I kind of already knew" --- Charlie was not into "scene queens." He just wanted to date a normal guy. And the guy who Charlie had set is eyes on was Walker.
Walker doesn't have a good track record with girls. His reputation follows him around town with his given nickname "Shagger." Walker claims, "I can resist anything but girls who can resist me." And the girl who resists Walker the most is Daisy, a strong-willed lesbian.
Daisy has a lot of hate. She's hated Walker for years. Because she's known him and his reputation since elementary school, she's not thrilled to see him in the summer theater. Daisy also hates Brie, who is the opposite of Daisy's looks and beliefs.
Sarra Manning's PRETTY THINGS is told in four alternating voices. Each voice reveals a deeper layer to the characters, and the reader soon sees that things are not always how they appear. North London-based Manning --- who has written for many teen magazines including J17 and ELLEgirl UK --- showcases yet again her stellar ability to write for the teen scene. She has created four distinct characters and put them into a whirlwind story filled with some of the doubts and questions that many teens face today.
--- Reviewed by Kristi Olson
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